All Balanchine
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPOXrvg3eVZ7aag5oKSJ79l36B1aIA5l9NaM37omIyyc4zk6AOEuhy4W8Ligk0wjhV0GuUk1puKDtG7fjnQzaNBI253qAym0f7chvFv6-JJrV5_GVdli9AG3sgN19BvSGQIpM4LyhjhmEp/s1600/tiler+peck+theme+and+variations.jpg)
The New York City Ballet ended its winter season with an all-Balanchine program that once again showcased the company's strengths (depth in casting, discipline within the corps de ballet, strength of repertoire). It was a great afternoon at the ballet, a strong end to a strong season. The triple bill of Agon , Stravinsky Violin Concerto , and Tchaikovsky Suite No. 3 was really a win-win for everyone: the audiences, the dancers, ballet itself. These wonderful triple bills of Balanchine make me want to scream at the NYCB programming department: "Please, sir, I want some more." No more "new Millepied ballets" or Seven Deadly Sins.