|Katharina and Petruchio, photo @ Jack Devant|
Thursday, July 27, 2017
The ballet has some virtues. One, its brevity. With an intermission and the prolonged Russian-style curtain calls you were still out of the theater within 1 hr 45 minutes. Two, the score. The music is piecemeal Shostakovich which meant it was always listenable and often very fun. Olga Smirnova and Semyon Chudin (Bianca and Lucentio) have two calm, glamorous pas de deux that establish these two remarkable dancers as the foremost classicists of the company. The role of Hortensio is one of those Bolshoi bravura cameos that gets the entire crowd yelling, especially when danced with the explosiveness of Igor Tsvirko (seriously, wow! He has a pretty cool Youtube channel where you can see him dance other roles).
Friday, July 21, 2017
|Original Jewels cast, photo @ Martha Swope|
Lincoln Center Festival decided to capitalize on Balanchine's foundation by creating a One Time Only (!!!) Event -- a Very Special Jewels in which each section was danced by a different company. Ticket prices were through the roof but the event sold out anyway. The Paris Opera Ballet took Emeralds, while the NYCB and the Bolshoi took turns swapping between Rubies and Diamonds. I attended the first two performances so I saw both combos -- NYCB Rubies/Bolshoi Diamonds and Bolshoi Rubies/NYCB Diamonds.
Seeing three different companies dance the three different sections of Jewels is sort of strange -- the ballet is supposed to be a display of company versatility. On the other hand, it is a One Time Only Event -- Superjewels. The audience absolutely loved it -- there were loud ovations after every ballet, audiences refusing to leave their seats until dancers came out for yet another solo bow. I have to remind myself sometimes that not everyone gets to see Jewels as often as those who live near NYC do and for those people it's a very special treat.
Saturday, July 8, 2017
|Veronika receiving roses from the girls, photo @ Kent Becker|
|Part in three of her major roles: Mozartiana, Odette and Myrtha|
So why, then, did I go? Actually, for a really unhappy reason: this was the last chance to see Veronika Part dance for ABT. She has been let go after 15 years with the company. When word got out that Part's contract would not be renewed, fans created an online petition that garnered over 500 signatures. Then things got a little crazy. A particularly vehement fan started hatching all sorts of plans which included booing BEFORE Mozartiana, staging a sit-in, throwing a tomato at Ratmansky (whom she compared to a Nazi collaborator), and other hare-brained schemes. In the end none of these plans came to fruition. The company's cold attitude towards Part was evident in this hastily planned "farewell" which was announced a few days ago. Contrast that with Diana Vishneva's lavish farewell in which she got promotional articles in the New York Times and the New Yorker, was surrounded by bouquets and confetti, feted by Kevin McKenzie and the rest of her ABT colleagues.
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