|Ward Horton, Jack DiFalco, Michael Urie and Mercedes Ruehl, photo @ Joan Marcus|
The play spans the 1970's to 1970's and follows the life and times of neurotic, love-starved drag queen Arnold. David Zinn's sets are a wonderful recreation of that era. Michael Urie as Arnold has almost nothing in common with Harvey Fierstein on the surface. Fierstein was larger-than-life and LARGE, period. The androgynous, noodly-limbed Urie looks like a generic pretty boy. But Urie is like Fierstein a very engaging actor who has the ability to draw the audience into the drama the minute the curtains go up. Arnold's opening soliloquy immediately establishes him as a likable, funny, charismatic character. Someone we want to spend the next three hours with. An example of his wit: "An ugly person who goes after a pretty person gets nothing but trouble. But a pretty person who goes after an ugly person gets at least cab fare." Urie is also like Fierstein in that he's a fearless performer who will do anything to get a reaction. His simulation of a dark-room dive bar sexual encounter is hysterical.