|Finlay and his muses, photo @ Andrea Mohin|
There was almost something perverse about the curtain rising on NYCB's Winter Season and the sight of the blond Peter Martins-lookalike Chase Finlay dancing Martins' trademark role of Apollo. One could almost imagine Martins' observing his performance in his usual seat in the rear orchestra except of course Martins wasn't there, the NYCB programs had been scrubbed of any mention of He Who Shall Not Be Named. The show must go on.
I caught four performances in their first week. NYCB's two all-Balanchine programs (Apollo/Mozartiana/Cortegé Hongrois and Divertimento #15/Four Temperaments/Chaconne) are the type of programs that would test the company's classical chops under any circumstances. But NYCB is now a ship without a captain, and in many ways the performances reflected both the company's depth of talent and how even the world's best dancers need a strong leader.