Wednesday, December 23, 2020

Balanchine's Nutcracker pops up ... everywhere

It's December 2020 and the world is going through a furious, deadly second wave of the covid pandemic. Most performances have been canceled. How do ballet companies make money during their traditional Nutcracker season now that Land of the Sweets has been replaced by Land of the Sick? Well, they stream Nutcrackers from their archives, of course. George Balanchine's classic 1954 version of Nutcracker was streamed by no less than four different companies. The New York City Ballet, Pacific Northwest Ballet, Royal Danish Ballet, and Pennsylvania Ballet all offered performances of Balanchine's chestnut.

Seeing the four different renditions of Balanchine's Nutcracker affirms the greatness of this version. It's remarkably resilient -- it does not rely on one dancer to carry it. Some of the most awe-inspiring moments actually don't involve professional dancers at all. For instance, I've never sat through Balanchine's Nutcracker without getting a lump in my throat when the Prince's Nutcracker costume is ripped off and he comes to the lip of the stage and bows to the audience in tendu.

Yet the different streamed performances show how this ballet differs depending on the production. Each production had a different look, flavor, and accent. NYCB's Nutcracker tends to go for the grand tableaus like the huge snow blizzard and growing tree. Other companies like the Pacific Northwest Ballet emphasize the coziness of the ballet. Watching the four versions is a bit like sampling the same dish from different restaurants. 

Tuesday, December 8, 2020

La Scala 2020 Gala Promises to "See Stars Again"

Italy was one of the first regions hard-hit by the worldwide Covid pandemic. It beat back the virus by late spring only to have covid roaring back in Europe's deadly second wave. As a result, plans for a new Lucia di Lammermoor were jettisoned and La Scala's traditional December 7 opening was changed to a semi-staged concert gala. Organizers called the show “A riveder le stelle” (“to see the stars again”) in reference to the final phrase in Dante Alighieri’s “Inferno." The gala was performed without an audience.

 All operatic galas end up being alike -- they are overlong, the singers are variable in quality, and they rely too much on overdone warhorses. There was also a last minute cancellation (Jonas Kaufmann canceled and Piotr Beczala was flown in.) Conductors usually take a backseat to the singers and this was no exception -- Riccardo Chailly followed his singers' lead and let them do their own thing. I knew there were too many warhorses programmed when the first number was an orchestral rendition of the prelude to Rigoletto and there were 11 Verdi and 5 Puccini excerpts. Good lord.

Boris: Do Russian Leaders Ever Change?

  RenĂ© Pape, photo @ Marty Sohl There's a leader of Russia. He's corrupt and has killed people on his path to power. He only trusts ...