|Original Jewels cast, photo @ Martha Swope|
Lincoln Center Festival decided to capitalize on Balanchine's foundation by creating a One Time Only (!!!) Event -- a Very Special Jewels in which each section was danced by a different company. Ticket prices were through the roof but the event sold out anyway. The Paris Opera Ballet took Emeralds, while the NYCB and the Bolshoi took turns swapping between Rubies and Diamonds. I attended the first two performances so I saw both combos -- NYCB Rubies/Bolshoi Diamonds and Bolshoi Rubies/NYCB Diamonds.
Seeing three different companies dance the three different sections of Jewels is sort of strange -- the ballet is supposed to be a display of company versatility. On the other hand, it is a One Time Only Event -- Superjewels. The audience absolutely loved it -- there were loud ovations after every ballet, audiences refusing to leave their seats until dancers came out for yet another solo bow. I have to remind myself sometimes that not everyone gets to see Jewels as often as those who live near NYC do and for those people it's a very special treat.
|Reichlen (top), Smirnova/Chudin, Pujol/Ganio|
|Reichlen in Rubies, photo @ Andrea Mohin|
|Smirnova and Chudin, photo @ Andrea Mohin|
The curtain calls at the end of the night were lovely. Each company came out again (corps included), and the soloists all got flowers, and then solo bows in front of the curtain. Then the curtain rose again, corps came out for their bows, and Peter Martins, Aurelie Dupont and Makhar Vaziev also bowed to the crowd.
|Jewels final curtain call. Thanks Andrea Becker for the picture!|
The second night of Superjewels was very different from the first night. The performance was more homogeneous in quality -- unlike opening night there wasn't the case of some of the worst performances (POB's Emeralds) side by side with the Olympians (Teresa Reichlen, Olga Smirnova/Semyon Chudin). Everything averaged out.
|Dorothée Gilbert, photo @ Julien Benhamou|
|Bolshoi in Rubies, photo @ Damur Yusipov|
A reminder of how this ballet is supposed to look:
|Mearns and Angle, photo @ Andrea Mohin|
So this Superjewels actually lived up to its hype -- you learned things about every company's style. Their strengths, their weaknesses. Considering how many dancers of different companies I saw in the audiences I hope that they all learn from each other. Fifty years later, Jewels is the gift that keeps on giving. It challenges companies to absorb three very different styles in three different ballets. It gives great roles for principals, soloists, and the corps de ballet. And it makes arts organizations lots and lots of money. Thanks, Mr. B.