|NYCB Swan Lake, photo @ Paul Kolnik|
|Hyltin and Catazaro, photo @ Kent G. Becker|
|Hyltin, photo @ Paul Kolnik|
Other shoutouts in this performance: Harrison Coll was a wonderful Benno, and handled the demands of the pas de trois with excellent double tours. Spartak Hoxha's Jester made the most of what is a very irritating part. And Adrian-Danchig-Waring (welcome back!) and Emilie Gerrity managed to make something of the Russian dance. The swan corps were much improved -- their arms even had a softness and flow that I don't usually associate with this company.
Here are Hyltin and Catazaro in their curtain calls:
|Fairchild as Odette, photo @ Andrea Mohin|
|Peck as Odette, photo @ Andrea Mohin|
Before I start on Tiler let me say that Chase Finlay was the only prince to act in a realistically royal way. It's part of Martins' staging that the jester in the first act sneaks onto the throne. All the other princes good-naturedly swatted the jester away. Chase shoved the jester and drop-kicked him for good measure in full Joffrey mode. It would have made Cersei proud. His blond bouffant hair was perfectly coiffed, and he exuded a distinct narcissism.
|Final curtain calls, photo @ Kent G. Becker|
Here's a video NYCB released of Tiler's fouettes:
Chase and Tiler's last act was not as heartbreaking as Sterling and Zachary's. Tiler for one didn't have the swan arms to make that final transformation back into a swan at dawn quite as effective. But it worked, because Chase's portrayal of the prince was so selfish and full of self-regard that Odette leaving him alone in his grief seemed like just punishment. And Tiler, who was passive and expressionless in the earlier lakeside scene, ratcheted up the emotion for an affecting farewell to Siegfried. She's a remarkable dancer, and she will clearly grow in this role. She and Chase got 7 raucous curtain calls. Also: Aaron Sanz, Sara Adams and Kristen Segin were IMO the most charming of the pas de trois that I saw.
Last spring at ABT much ado was made of the fact that so many of the ABT principals could not complete the basic requirements of Odette/Odile including those famous fouettés. It's therefore remarkable that NYCB, that doesn't do 32 fouetté ballets regularly, went 6/6 with Odiles who made it to 32. But that's the strength of the company right now. I tip my hat to this amazing group of dancers. And the performance of Sterling Hyltin and Zachary Catazaro will live in my memory as one of the most moving accounts of this ballet I have ever seen.