It's December 2020 and the world is going through a furious, deadly second wave of the covid pandemic. Most performances have been canceled. How do ballet companies make money during their traditional Nutcracker season now that Land of the Sweets has been replaced by Land of the Sick? Well, they stream Nutcrackers from their archives, of course. George Balanchine's classic 1954 version of Nutcracker was streamed by no less than four different companies. The New York City Ballet, Pacific Northwest Ballet, Royal Danish Ballet, and Pennsylvania Ballet all offered performances of Balanchine's chestnut.
Yet the different streamed performances show how this ballet differs depending on the production. Each production had a different look, flavor, and accent. NYCB's Nutcracker tends to go for the grand tableaus like the huge snow blizzard and growing tree. Other companies like the Pacific Northwest Ballet emphasize the coziness of the ballet. Watching the four versions is a bit like sampling the same dish from different restaurants.
|Maria Kowroski as Sugar Plum Fairy|
Megan Fairchild (Dewdrop) is also a veteran dancer. Her skills have not eroded -- all the Dewdrop's tricky turns and leaps were there. Her diagonal of rond de jambe sautés flew with no effort. Fairchild's Dewdrop is a remarkable preservation of ballerina technique.
|Kai Misrai Stone as Nutcracker Prince|
|Act One party scene|
|Leta Biasucci and Lucien Postelwaite|
|Lillian di Piazza as SPF|
|Royal Danish Ballet's Nutcracker|
|First act party scene|