I heard the fairly amazing Decmeber 16 performance of La Traviata and found a new soprano to follow -- Marina Rebeka. My review for parterre box is here. Besides Rebeka, the revival is well-worth seeing for baritone Quinn Kelsey.
An excerpt from my review:
Rebeka has an energy and spirit that resembles the hearty lasses in Littlefinger’s whorehouse rather than delicate flower Marie. But to her credit, she didn’t aim for that weak frailty—there was no overdone coughing or making the voice paper-thin for Act Three. It was a straightforward, well-sung Violetta and she had a lot of horsepower for the big moments.In the Act Two concertato you heard her firm, bell-like sound ride over the chorus and orchestra. She was able to swell her voice for “Amami Alfredo” and the final “Oh gioia!” If she didn’t quite convince you that she was wasting away from a terminal illness, she wasn’t pretentious either, and it was never difficult or unpleasant to listen to her. She got a well-deserved standing ovation at the end of the opera.
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