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John Travolta can't read
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No explanation needed. Except notice the massive, unattractive wig he's sporting. And I THINK he says "Adele Dazeem" although it's hard to tell considering he also said it in this weird faux-Middle Eastern accent.
Yeah, John Travolta seemed to be stoned on smug, and couldn’t even manage to introduce someone properly, and called Idina Menzel “Adele Nazeem”. That was probably the name of a clam he knew in a past life.
I’m not a fan of the Academy Awards. Like many of us, I just like to gawp and snipe at overprivileged rich people, so it was just occasionally entertaining noise to catch my attention in between papers. Here are the things that made me bother to look up.
Ellen Degeneres was generally amiable and pleasant, but the stunt where she ordered out for pizza and delivered it to obscenely wealthy, pretty people in clothes that may have cost more than some people make in a year? That was…disturbing and klunky. It wasn’t Macfarlane-awful, but just vaguely icky.
Gravity won best director. No, that was a terrible movie!! The star was Orbital Mechanics, but Orbital Mechanics was falling-down drunk every day on the set, and Orbie kept sticking his face in front of the camera, even in scenes where he shouldn’t have been, and Cuarón just let him get away with it.
The award for the most embarrassingly stupid acceptance speech goes to Matthew McConaughey, who, in accepting an award for the role of a guy dying of AIDS, rambled on slickly and at length in praise of a god. I was already peeved — I was hoping Bruce Dern would win — so it did not console me that someone deserving had won it anyway.
Cate Blanchett thanked Woody Allen.
Lupita Nyong’o gave the best speech of the evening. She won for a harrowing role, and it was well-deserved.
12 Years a Slave won best picture. For once, I could agree with the Academy’s choice in this category — that was a powerful movie.
Battle of the Nutcrackers: U.S. vs. England This December season I had my usual annual ritual of putting aside money for two extremely crucial things -- a Christmas bonus for my building super and money on Nutcracker tickets. NYCB's Nutcracker is my annual Christmas binge -- every year I check out some new dancers, and see my old favorites. This year I saw four different SPF/Cavalier pairings. Truth be told, only one was the kind of transcendent, joyful complete performance that made me leave the theater on a high. The others all had some major flaws. But still, for the joy it brings me year after year, Balanchine's Nutcracker is unrivaled. Balanchine's classic version However this year I also decided to sample a Nutcracker cinema relay from across the pond -- Sir Peter Wright's Nutcracker for the Royal Ballet. The Wright Nutcracker this year starred Gary Avis as Drosselmeyer, Anne Rose O'Sullivan and Marcellino Sambé as Clara a...
I really can't believe I've now sat through three performances of Anna Bolena within a rather short amount of time. It's not my favorite opera by a long-shot, and the production is absolutely dreary. Read my thoughts on the first-cast performance here. But the buzz about the second-cast Anna Bolena has been strong among operaphiles, who have whispered that Anna Netrebko is the bigger star but Angela Meade the better vocalist. Meade made her Metropolitan Opera debut in 2008 as a last minute substitution in Ernani , and since then has slowly been building up quite a following. So last night I dragged myself to the Met to sit through Anna Bolena again. Yippee.
In September 1791, a sickly Mozart conducted the premiere of The Magic Flute . Something about the mix of fairy tale magic, humor, and the sunny, eternally catchy music made the opera a huge hit. It has remained this way ever after. Audiences loved it then and love it now. It takes a lot for me to dislike a performance of The Magic Flute/Die Zauberflöte . The new production by Simon McBurney (as opposed to the abbreviated holiday version of the Julie Taymor production trotted out nearly every year) was high on my list of most anticipated events of the 22-23 season. The solo flutist, photo @ Karen Almond The evening was, however, decidedly unmagical. Simon McBurney's production (which has actually been around since 2012 and staged throughout Europe) seems determined to display all the mechanics behind the magic. We walk in and see two booths on either side of the stage. On one side is the video projection artist. On the other side is the sound effects specialist. After awhile, eye...
Yeah, John Travolta seemed to be stoned on smug, and couldn’t even manage to introduce someone properly, and called Idina Menzel “Adele Nazeem”. That was probably the name of a clam he knew in a past life.
ReplyDeleteI’m not a fan of the Academy Awards. Like many of us, I just like to gawp and snipe at overprivileged rich people, so it was just occasionally entertaining noise to catch my attention in between papers. Here are the things that made me bother to look up.
Ellen Degeneres was generally amiable and pleasant, but the stunt where she ordered out for pizza and delivered it to obscenely wealthy, pretty people in clothes that may have cost more than some people make in a year? That was…disturbing and klunky. It wasn’t Macfarlane-awful, but just vaguely icky.
Gravity won best director. No, that was a terrible movie!! The star was Orbital Mechanics, but Orbital Mechanics was falling-down drunk every day on the set, and Orbie kept sticking his face in front of the camera, even in scenes where he shouldn’t have been, and Cuarón just let him get away with it.
The award for the most embarrassingly stupid acceptance speech goes to Matthew McConaughey, who, in accepting an award for the role of a guy dying of AIDS, rambled on slickly and at length in praise of a god. I was already peeved — I was hoping Bruce Dern would win — so it did not console me that someone deserving had won it anyway.
Cate Blanchett thanked Woody Allen.
Lupita Nyong’o gave the best speech of the evening. She won for a harrowing role, and it was well-deserved.
12 Years a Slave won best picture. For once, I could agree with the Academy’s choice in this category — that was a powerful movie.
Holy crap, the show ended on time?
Wow thanks for your comments! And poor Leo ... robbed again.
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